Iago claims he's far more qualified than Cassio, who lacks Iago's experience on the field of battle. He frees the captured Genie to save Aladdin from being beheaded when he's framed for murdering the Sultan through Jafar's schemes and in the process also freeing Jasmine, the Sultan, Carpet and Abu. In fact, as play starts Iago is taking advantage of Roderigo. He interacts with people only to manipulate them, but most importantly he never reveals his true feelings or motives. Repeatedly frustrated as Othello marries Desdemona and then takes her to Cyprus, Roderigo is ultimately desperate enough to agree to help Iago kill Cassio after Iago points out that Cassio is another potential rival for Desdemona.
And then I stuff the crackers down his throat! It also provides a closing irony to the passage — nothing will be 'well' on Cyprus any more. Soon enough, Iago is enjoying the Royal Treatment, planning his future, believing that Aladdin will become the Grand Vizier, and that when he becomes Sultan, Iago will become the Grand Vizier. The film implies that Iago's harsh attitude and villainous actions were partially displayed due to a lack of respect and appreciation over the course of his lifetime. Themes The key theme in the passage is sexual appetite. With Roderigo's extended silence, it too feels like an extended aside. Not only is the relation of Iago and Emilia, as we see it on stage, without emotional tension, but also Emilia openly refers to a rumor of her infidelity as something already disposed of.
Trapped and annoyed, Iago berates Jafar on his foolish decision, just as the two villains are sent to the Cave of Wonders to endure 10,000 years of imprisonment. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. He claims a reputation for honesty and plain speaking, yet he invents elaborate lies in order to exploit and manipulate other people. He is also fairly intelligent, having come up with the plan to have Jasmine marry Jafar and then kill her and the sultan. Some critics state that Iago's actions are motiveless and that he is a purely evil character. That is what makes his parting shot, What you know, you know, so terrifying for, by then, Othello has become a thing, incapable of knowing anything.
Despite his highly antagonistic nature in the original film, The Return of Jafar shows a different side to Iago; one capable of growth and reformation. Iago plans to plant the seeds of jealousy in Othello. Aladdin protects Iago from the Sultan and his guards at the expense of losing the Sultan's favor, and Jasmine's trust. But he, sir, had the election; And I, of whom his eyes had seen the proof At Rhodes, at Cyprus and on other grounds Christian and heathen, must be beleed and calmed By debitor and creditor. Jafar reassures Iago that they will no longer have to abide to the Sultan's reign in good time, with Iago gleefully plotting to extract revenge once that time has arrived. I hate the Moor; And it is thought abroad that 'twixt my sheets 'Has done my office. Abu, Aladdin's monkey, tackles Iago to prevent him from alarming Jafar, which leads to a tussle.
Cassio is a young and inexperienced soldier, whose high position is much resented by Iago. Iago is the main driving force in this play, pushing Othello and the other… 1620 Words 7 Pages The Character of Iago in Othello In the play Othello, the character Iago plays a paramount role in the destruction of Othello and all of those around him. Aladdin saves the helpless Iago from falling into the lava himself, but his injuries are so severe that for a moment everybody believes him dead. Seems like Iago has listed a couple of incompatible motives for seeking to destroy Othello, wouldn't you say? The one man who survived Iago's attempt to kill him, Cassio, is the only major character left standing at the end of the play. At first glance he seems to be pure evil, but I think his actions are much more complex. Read an Desdemona - The daughter of the Venetian senator Brabanzio.
Perspective, which is a personal point of view that comes from the self, is what shapes the reality that one interacts with. As a battle ensues between Jafar and Aladdin, Iago watches sadistically, rooting for Jafar to eliminate the threat, until Jafar wishes to become an all-powerful genie. Iago might say things that suggest what his motive is, but he soon contradicts himself with another suggestion making it extremely difficult to understand him. I know not if't be true; Yet I, for mere suspicion in that kind, Will do as if for surety. He even draws Roderigo's conclusions for him, using the language of instructive discipline to describe imagined adultery: 'when these mutualities so marshal the way, hard at hand comes the master and main exercise' 2.
The role he plays is unique and complex, far from what one might expect from a villain. For example, he knows Roderigo is in love with Desdemona and figures that he would do anything to have her as his own. A number of fortunate circumstances helps his… 1865 Words 8 Pages The Character of Iago in Othello No one has ever failed to appreciate the skilled art with which Shakespeare has defined the characters of his plays; great and small alike, their distinctiveness, their dignity, their misery, and their integrity are captured and displayed. When first introduced as the loyal follower of Jafar, he appears to be just as evil and cruel as his superior, being snide, greedy, selfish, uncaring, murderous, deceitful, manipulative, traitorous, arrogant and cunning. Biography Aladdin In the first film, Iago has a supporting role as Jafar's sidekick, and also served as his spy, disguising himself as Jafar's mindless pet parrot.
But Iago's salacious language is just that — words. Iago's base reduction figures sex as hunger: 'her eye must be fed' 2. Iago himself proffers two reasons for wishing to injure Othello and Cassio. Iago is the secondary antagonist of Disney's 31st full-length animated feature film Aladdin. Roderigo dismisses it as 'courtesy' but admits he 'did' see it. Throughout the series, his greed persists, but it is shown that he can, and will, do the right thing when necessary.
But in the struggle against Jafar, when all hope seems lost, Iago returns unexpectedly. What is the motive behind Iago's heinous, selfish acts, one may ask? And then I'd grab him around the head. Iago in this play, has the qualities of the Devil in medieval and Renaissance morality plays: He is a liar, he makes promises he has no intention of keeping, he tells fancy stories in order to trap people and lead them to their destruction, and he sees other's greatest vulnerabilities and uses these to destroy them. His nature does not enable him to see the goodness in any one or anything; he is driven by a lust for evil beyond his control. Yet earlier Iago tells us it is Cassio who 'takes her by the palm' 2. The , in particular the idea that they were sexually immoral compounds how credible Roderigo, and Othello, find Iago's portrayal of Desdemona. Nevertheless, his villainous nature from the original film doesn't fade completely.
If I gotta choke down on one more of those moldy, disgusting crackers. But is this the real reason Iago sets out to destroy Othello? He also craves for power, as he gave Jafar the idea of marrying Jasmine to become the next Sultan. Gazeem is ordered to enter in order to steal a magic lamp as Jafar wishes to use the Genie to take control of Agrabah , but is killed in the process, as a result of being unworthy to enter. In a turn of events, Iago unintentionally saves Aladdin from Abis Mal and his thugs, by causing them to crash into a chicken cart, destroying the eggs. Iago's envious depiction of Cassio as 'handsome' and 'young', while assigning him his own character traits — 'a knave', 'the mere form of. On the surface, Iago's motive for wanting to destroy Othello could be one of several.